Thursday 3 June 2010

The Top Twelve Female TV Characters of Awesome: Part Two

The promised second part of our rundown of the greatest women in television. Of course we've missed many out, so if you see anyone missing that you feel should be listed, be sure to let us know about it by leaving a comment! Here's the top five!


5) Patty Hewes – I’m never sure if Patty has a heart of gold covered in broken glass or if she’s just a crazy self-serving sociopath. Either way she’s made of awesome. The terror she seems to inspire in most people around her is a sight to behold as she switches from an instant from calm and collected to unbridled rage. And is it just me that wants her to push Ellen down some sort of mine shaft?

Highpoint; ‘Because I Know Patty’ Her destruction of Frobisher was spectacular.


4) Detective Shakima "Kima" Greggs – A completely dedicated officer who knows exactly when to call bullshit, Kima is one of my favorite characters on The Wire (along with Omar Little of course). Not afraid to dirty her hands, she still nonetheless plays mainly by the book, though her decision to rat out McNulty and Freamon may seem to lack loyalty, she did what she needed to do, proving herself to be somewhat of a moral center in a difficult situation.

Highpoint; ‘Unto Others’ Figuring out that a murder was caused by a stray bullet. Blew my mind.


3) Blair Waldorf – OK, so she’s stuck-up, superficial and a bitch, but let’s not forget that she is also amazing. Blair, whose trials and tribulations in Gossip Girl have always been the most interesting focus of the show can always bring the greatest humor to the screen. But she also has a heart… somewhere. Her relationship with Chuck redeeming her and making her seem more human, Blair proves herself to be able to express emotion as well as catty put-downs.

Highpoint; ‘In the Realm of the Basses’ Talking Chuck down from that ledge and showing her soft underbelly. OK I admit, I fangasmed.


2) Betty Suarez – Who needs coffee right? With enough energy to power a city for a week, Betty Suarez is the ultimate go-getter. Ignoring her completely boring romantic entanglements (with the exception of Gio, God he was awesome), Betty’s story has been one of triumph over adversity, an ugly duckling in fashions harsh world. Which OK, America Ferrera is hardly ugly, far from it. But the triumph angle still sticks. She loves her family, is supportive to her friends and tries not to make mistakes, though when she does it’s more than little amusing to watch. Betty brought more than a little light into our lives and it killed me a little to see her go. But hey, at least she’s a success and stuff, right.

Highpoint; ‘Tornado Girl’ Betty goes above and beyond to save the day, with emphasis on the above.


1) Dr. Juliet Burke – Tragedy. I mean it’s been written in the name Juliet ever since our William sent that Capulet girl to an early grave. Dr. Juliet Burke remains a firm part of this tradition. Trapped for much of her life, first by an ex-husband that holds her professional career in his hands and then by Benjamin Linus, a man obsessed and of course, a crazy time-traveling island. So considering she is defined by her entrapment and her tragedy, why on Earth is she number 1? Because in spite of everything, she is the best she can be; powerful, intelligent, compassionate but strong. The world keeps taking and she keeps giving, but she always gets back up for more. In the face of a spirit that can only be called indomitable, who couldn’t call her their favorite? Even her end, her desperate yearning for the bomb to take them all down was a desire to make the world a better place. So Dr. Burke, I salute you.

Highpoint; ‘Not in Portland’ All she ever wanted was to go home, my heart broke right there! Plus she killed Danny Pickett and he was a douche right?


That's all for now. Let us know what you think, we live off feedback. Seriously they're conducting studies on it and everything.

Friday 28 May 2010

The Top Twelve Female TV Characters of Awesome: Part One

So it was only a matter of time until the inevitable top-something list from us and we've worked long and hard to bring you what we feel are the greatest female characters on television. Why? Because television, like most media landscapes, are devoid of interesting portrayals of women and so we felt we should celebrate all those charecters that fulfill a certain quota of greatness. OK, so TV still has a long way to go and this list is mainly cisgendered, attractive women under 30 (holla at the gender theorists in the hizzle!), but hey, baby steps right? Lets start with 12 - 6.


12) Nancy Botwin – Completely amoral but with the best of intentions (at least to start off with), Nancy is a joy to watch and fits in with that select group of characters who you just love to hate, but still want to win. Becoming a drug kingpin (queenpin?) and continually winning it all and subsequently losing it as she lurches from one disaster to the next, Nancy brings being fucked up to new and dizzying heights.

Highpoint; ‘Go’ - Burning down an entire town to save her skin. Crazy like a fox!


11) Martha Jones – The second companion in the rebooted Doctor Who, Martha (a doctor in training herself), brought a certain fiery dynamic to the doctor/companion relationship and though her lovestruck awe of the doctor could get a bit trying, she ended up being just as awesome as him.

Highpoint; ‘Last of the Time Lords’ – Saving the universe. Can’t really get more awesome than that.


10) Anne (Annie) Clare Sawyer – The idea of an insecure, agoraphobic ghost is hilarious but could have easily become annoyingly one-dimensional. Not so with Annie, the resident ghost of ‘Being Human’. The fragility of her character in the beginning of the first season slowly blooming into the confident woman she never was in life; in fact for a dead woman, she seems far more alive than most (OK, I’m kinda in love with her).

Highpoint; ‘Season One, Episode Six’ Annie who was so confined both actually and figuratively, saves lives with her newfound confidence (and mad poltergeist skillz).


9) Lorelai Gilmore – Gilmore Girls is a completely misunderstood show. People view it as mindless fluff when it’s actually a complicated treatise on class in modern America. Well, sort of. But Lorelai is great and an excellent role model, not relying on her parents handouts she started a business from scratch and raised a child alone, all while managing to watch a phenomenal amount of TV a day.

Highpoint; ‘The Lorelais' First Day at Yale’ Coolest. Mom. Ever.


8) Veronica Mars – Ace female detective? Brilliant. I love Veronica Mars so much I wrote an essay about her for my degree. Her deductive reasoning at points put her for me, into the pantheon of greatest fictional detectives and the wonderful subversion of the type by using a pretty blonde girl (something owed in part to another entry on my list) was quite clever. Her relationship with her father is another important point, being both realistic and warm, making it a joy to watch.

Highpoint; ‘Not Pictured’ Solving the 2nd season mystery and getting a lot more besides answers (plus Kristen Bell’s performance here is incredible).


7) Dr. Neela Rasgotra – Another example of a complex character given plenty of growth over the course of the show; Neela, my personal favorite doctor in E.R. starts out as reticent and uncommunicative and downright grouchy, but softens as the show went on going on to become an excellent surgeon and friend to much of the staff, it’s no wonder about seven people fall in love with her over the course of the show! Neela is the sort of character you cheer for when she overcomes some difficult goal, like her claustrophobia or terrible bedside manner and very much became the heart of the show.

Highpoint;
"The Gallant Hero & The Tragic Victor" If your heart didn’t break for Neela here then you have no soul. Seriously.


6) Buffy Summers – The girl, the legend. Buffy, who has inspired numerous critical feminist discourses on the subject of women in television is just plain amazing; whether she’s fighting numerous demons and vampires or trying to deal with high school. Even when she fails, she does it so well you can’t help but love her; and you can never forget that she taught a generation that the girl doesn’t have to be the victim and can kick ass with the best of them (and quite often, better). So popular she continues to live on in comic book form, not many charecters can say that. If they were, you know, real and could say things.

Highpoint; The Gift’ Heroic self-sacrifice of awesome.


That's enough for now, check back soon to find out who made it to number one!

Thursday 27 May 2010

I AM LOVE Movie review


“Our family’s fortune is built on unity” Edoardo Recchi Sr

“I am Love” is an elegantly shot yet gracelessly structured piece of arthouse cinema.

The film centers on a wealthy industrialist family: the Recchis. Specifically we observe the film through the eyes of Emma (Tilda Swinton), a Russian Émigré who owes her name to her husband Tancredi Recchi the man of the household. In the film we view a clash between the public familial loyalties and the private intimate passions of Emma.

When it comes to reasons why I am Love doesn’t quite succeed a poor narrative tops the list. In the film certain scenes felt disconnected, going on for arbitrarily long periods and then abruptly stopping causing us to miss out on events that would have illuminated character. We are left not understanding why characters do the things they do. Emma’s mother in law for example is virtually a bit player, her motivations forever left un-established. Why Emma was unhappy in her marriage, why she chose to embark on an affair with Antonio, none of this was ever clear. Though the subtlety had its charm at points, much too much was never given a clear reason for happening. The film was very post-modern in the sense that it required audience members to be far too active in the construction of the meaning of certain scenes. This was lazy filmmaking masquerading as artful. Additionally the sparseness of dramatic tension brings to ones attention another flaw with the film: It is uncertain whether it wants to be a gripping family drama or an erotic melodrama focusing on a woman’s self-discovery.

The performances by the actors in this film are all exemplary, working with the little material they had to bring the characters to life; although this feels like they achieved this in spite of the script at points rather than because of it. Tilda Swinton, predictably can be singled out as having a notable portrayal of her character.

Stylistically, the film is exquisite with a sweeping score (if a tad overblown at points particularly the end) and haunting cinematography that inspires a desirable sense of displacement. The Recchi house is a character of its own, possessing an imposing and cold presence. In opposition to this there is the warm idyllic atmosphere of Antonio’s restaurant. Most of the film is shot beautifully apart from a few odd scenes where the camera seems to hover around aimlessly for too long with no fixed purpose in mind. Particularly there is a scene where we ignore Antonio and Emma and instead witness a car’s POV as it drives them towards their country getaway: this shot lasts far too long. In addition there is a sex scene which goes on forever and is accompanied by a grand swell of music that all seems garish and pointless.

In conclusion I Am Love is a mostly beautiful film that is let down by an unfocused narrative and camera.

Wednesday 26 May 2010

We say hey, you say hey. We all like bananas.

Salutations, greetings and welcome to Mouth versus Brain, a blog about lots of stuff; High art, low art, inbetweeny art, critical readings of media, and random pictures and links of stuff we like.

The whole concept of Mouth versus Brain comes from those instances when the mouth and the brain refuse to co-operate. For instance when you see that hot girl/guy/etc and your brain formulates a winning piece of dialogue to introduce yourself and your mouth decides to go blerugghha? this is mouth versus brain. see?

We will nerd out and share our ludicrous obsessions with American television, films of every ilk and media galore. Define stuff, get bored, start again, make some toast and then redefine it.

If you're still unclear on what exactly this blog is about, don't worry, we're a little fuzzy too. Just roll with it and we'll get there in the end.

In the words then, of that great thinker Eloise Hawking "Let's get started"